Showing posts with label yakuza. Show all posts
Showing posts with label yakuza. Show all posts

Sunday, 18 October 2009

Avant-Garde Cinema Deserving Attention

Seijun Suzuki's Pistol Opera is a post-modern reprise of his 1960's work in the Yakuza (gangster) genre, which itself was audacious enough to get him fired from a commercial studio, Nikkatsu.

Expect shot after shot of stunning, minimalist compositions, bursting with vibrant color. Expect a seriously cool soundtrack. Expect symbolic gestures that replace normal dialogue. Expect a certain amount of head-scratching - I'm still decoding the film, and enjoying doing so.


There are no top-quality DVD options for English-speakers. The US print is more than watchable, but flawed. The UK print is the result of a standards-conversion, a process which practically guarantees artefacts. The Japanese edition likely offers the highest visual quality, but doesn't seem to come with English subtitles. I'd suggest just getting hold of a cheap US or UK DVD and tolerating the occasional glitch.

For some grounding I highly recommend "Branded to Kill", the 1967 film on which "Pistol Opera" is based. And for an accessible introduction to Suzuki's wonderful world, go straight to "Tokyo Drifter".

Note that "Pistol Opera" was filmed in 4:3 aspect ratio, which means you may need to adjust a widescreen television (by selecting size 4:3) in order to view it correctly at home.

Monday, 6 July 2009

Japanese New Wave Cinema: Masahiro Shinoda's "Pale Flower"

Masahiro Shinoda's "Pale Flower" is a terrific yakuza, or gangster, film made in the mid-60's. It was inspired, according to the director, by Japan's post-war malaise, in particular its side-lining by the major players of the Cold War. It's main characters are accordingly frustrated, bored, spiritually bereft, as they speed between high-stakes gambling venues in search of thrills.


Gambling is central to the story, and the film features many excellent scenes which present the activity in artful, almost fetishistic, detail. Indeed, the repetitive, rhythmic monotones of the dealer, the spellbound congregation in the hall, seem to bring the characters as close to church as they ever get. I should mention that Shinoda's presentation of gambling in "Pale Flower" led to the film being banned in Japan!

The superb modernist soundtrack was composed by Toru Takemitsu.

"Pale Flower" is sheer class all the way through, and a must-see for fans of classic cinema. American Cinemateque's DVD contains a very good transfer of the film.

I can also highly recommend Shinoda's "Silence" (a forerunner and companion piece to Joffé's "The Mission"), and "Assassination".